Cropping your subject correctly is an important aspect of taking a great portrait. There are different standard portrait lengths: full body, the face and upper part of the body, close up of the face, etc. How do we decide what to leave in frame and what to crop out? I am going to talk about different ways to crop a portrait to make the finished image look more professional, and more pleasing to the eye.

There are two different ways to properly crop an image: in camera, and in post-production. The first method, cropping in camera is the best way of cropping. By cropping in camera you get the full resolution of your camera in your final images. Cropping in camera means that you carefully frame your subjects as you shoot your images, and decide what is in frame and what is out of frame. When you take a picture of a person’s face, just the face is in frame, not the whole body to be cropped out later. By doing this, the final image will have the full resolution that your camera has recorded.

Sometimes this just isn’t possible though, and you will need to use the second method of cropping: cropping in post production. At times you must shoot action shots that are so fast that they don’t give you time to properly frame your subject.

Examples of this might be many people fast dancing at the reception, or people jumping to catch the bouquet or garter. This is ok. Just shoot and try to capture the moment, then later you can crop your image with Photoshop or another similar photo editing program. But, as stated earlier, you lose some resolution quality to your final image.

Now that we have gone over the two different ways to crop a photo we can now move on to how to crop correctly. What do you decide to leave in frame, and what do we crop out of the image? It’s easiest to begin with where we shouldn’t crop. You should never try to crop a subject at the articulations, that is, the joints, ankles, knees, or waist.

You are probably aware of the full length shot, that is, the entire body of your subject with a little bit of space above the head, and below the feet. The next kind of portrait is called the 3/4 length shot. In this type of portrait the thigh of the subject makes the bottom edge of the frame, and a little space above the head of the subject will be the upper frame.

Moving along we have the head and shoulders length portrait. This is done by framing the subject with the upper chest as the bottom edge of the image, and once again a small space above the head will be the top edge of the image.

The last type of portrait is also the most complicated, the close up of the face. As you may have seen in countless fashion magazines or photos online, these portraits for the most part tend to be more artistic. Because of this there are no hard and strict rules for cropping. My advice to you is to study the genre of facial close ups and choose a style of cropping that best suits your photography, and then expand from there.

If you new to wedding photography keep with it! I hope this tip helps you out at your next wedding. Good Luck.

Kevin Heslin is one of the leading Wedding and Commercial Photographers in Costa Rica. Besides commercial and wedding photography, Kevin also specializes in Travel and Cultural Portraits. To see more photo tips click on his blog Costa Rica Photographer Or to see photos of his weddings in Costa Rica, or travel and cultural photography in Central America check out his website Costa Rica Photography

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Tags: advice, art, camera, composition, crop, cropping, digital, Digital Camera, photography, techniques, tips, wedding

The temptation with digital is to check images as you go and to delete those that don’t work immediately. The problem with this is that you might just be getting rid of some of the more interesting and useable images. Keep in mind that images can be cropped or manipulated later to give you some more arty/abstract looking shots that can add real interest to the end album.

Get a little creative with your shots. While the majority of the images in the end album will probably be fairly ‘normal’ or formal poses - make sure you mix things up a little by taking shots from down low, up high, at wide angles etc.

Visit the locations of the different places that you’ll be shooting before the big day. While I’m sure most Pros don’t do this - I find it really helpful to know where we’re going, have an idea of a few positions for shots and to know how the light might come into play. On one or two weddings I even visited locations with the couples and took a few test shots (these made nice ‘engagement photos’).

When shooting outside after a ceremony or during the posed shots you’ll probably want to keep your flash attached to give a little fill in flash. I tend to dial it back a little (a stop or two) so that shots are not blown out - but particularly in backlit or midday shooting conditions where there can be a lot of shadow, fill in flash is a must. Read more about using Fill Flash.

Show them your work/style. Find out what they are wanting to achieve, how many shots they want, what key things they want to be recorded, how the shots will be used (print etc). If you’re charging them for the event, make sure you have the agreement of price in place up front.

One more piece of advice that someone gave me on my own wedding day. ‘Things will Go Wrong - But They Can be the Best Parts of the Day’. In every wedding that I’ve participated in something tends to go wrong with the day. The best man can’t find the ring, the rain pours down just as the ceremony ends, the groom forgets to do up his fly, the flower girl decides to sit down in the middle of the aisle or the bride can’t remember her vows.

One of the challenges of weddings is that there are often people going everywhere - including the backgrounds of your shots. Particularly with the formal shots scope out the area where they’ll be taken ahead of time looking for good backgrounds. Ideally you’ll be wanting uncluttered areas and shaded spots out of direct sunlight where there’s unlikely to be a wandering great aunt wander into the back of the shot. Read more on getting backgrounds right.

As a coordinator, Wendy Stoller, has been a guest in many weddings and has collected a series of heart feltExamples of Wedding Speeches. For some inspiration, visit and listen.

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Tags: amateur, camera, digital, Digital Camera, film, lens, photo, photographer, photography, shutter, wedding